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Like two mother nature​´​s sons

from HISTORIA DE LA ESPUMA by Evripidis and his Tragedies

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lyrics

On an autumn day
we took your car and drove to the woods.
You´d made a promise to take me
where the leaves turn to brown and yellow and red and gold
and you kept it
thank God you kept it oh oh oh oh.

So we danced among the trees,
we jumped over streams, we played hide and seek,
we pretended to be hunters
we got dizzy on mushrooms that we found on the ground

like two mother nature´s sons
like two mother nature´s sons.

We made love among the bushes,
among the moss covered rocks,
on a bed of leaves,
twisting and turning on the ground
like two polecats doing some crazy war dance,
and like a small carnivore
you left a mark of your teeth at the back
of my neck
you left a mark of your teeth at the back
of my neck
you left a mark of your teeth at the back
of my neck.

The hours passed and we got nervous,
we crushed the flowers, we threw some stones to the rabbits
we scared some squirrels and some birds
we pissed in the stream and then I fiercely said

"I´m gonna set this place on fire
if you just don´t take me home!
take me home, take me home
to the city where I belong
here it´s damp and cold I need to go back home
I´m no other nature´s son.
I want to smoke fags and drink some rum
I wanna have pizza from the restaurant next door."

credits

from HISTORIA DE LA ESPUMA, released January 1, 2008
Evripidis Sabatis-piano.vocals
Paadin-Autoharp
Sergi Puyol-banjo
Aleix Clavera-acoustic guitar
Abel Puyol-backing vocals, percussion
Anie Arjona-backing vocals percussion
Marc Ribera-backing vocals, percussion
Marisol Simó-backing vocals

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Evripidis and his Tragedies Barcelona, Spain

Evripidis and His Tragedies is Evripidis Sabatis. The "Tragedies" are the devastating, confessional, self-sarcastic, darkly humorous songs that draw on his classical piano training, queer sensibility and storytelling skills to examine and own up to the vicissitudes of life. Evripidis' pop inclinations take us for a bumpy, dancey ride across the fine line between tragedy and joie de vivre. ... more

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